Throughout this series, we’ve explored how content design shapes the way readers encounter scholarship:  

This final post brings these ideas together by considering what they do for a work’s credibility. Readers begin forming impressions about a publication long before they have evaluated its evidence in detail—the elements named above each influence whether research is understood, remembered, and applied.   

Building Ethos Through Presentation 

Ethos, the rhetorical principle of credibility, considers how authors create trust by establishing authority. While we might associate ethos with the expertise contained within the content (i.e., research) itself, presentation plays a key role in building trust and credibility through how a work looks and functions. The way scholarship is organized and designed influences how readers approach an argument even before they fully engage with its content, signaling whether the work feels official, coherent, and worth their attention. 

The phrase “don’t judge a book by its cover” is appealing in theory, but in practice, presentation is part of how a work is interpreted. Communication design research increasingly suggests that before readers fully engage with an article’s methodology or evidence, they rely on visual and structural cues to make initial judgments about quality, coherence, and credibility. Kevin Larson, Karen Cheng, Yeechi Chen and Marco Rolandi (2017) found that graphical abstracts redesigned according to established visual communication principles led readers to perceive identical research as more clearly written, more scientifically rigorous, and more interesting than the original versions. Research on the visual design of academic publications similarly suggests that typography, layout, and visual hierarchy shape readers’ experiences of scholarship by influencing perceptions of readability, professionalism, seriousness, and scholarly authority (Barness and Papaelias 2019). 

These findings suggest that thoughtful content design helps readers recognize the care, expertise, and rigor in scholarship, allowing them to focus on evaluating ideas. That isn’t to say you can create intellectual authority with good design alone—strong scholarship ultimately earns its authority through the quality of its evidence and reasoning—but thoughtful design helps readers see that quality from the first encounter. 

Design in a Changing Communication Landscape 

These principles matter in a broader information environment that increasingly rewards speed, novelty, and attention-grabbing presentation. A growing volume of algorithmically generated or lightly edited “content” online prioritizes immediacy over structure, coherence, or depth. In those contexts, design is often used to capture attention rather than support true understanding of material. 

Scholarly communication operates differently. Its purpose is not to maximize clicks or momentary engagement, but to produce ideas that can be followed, evaluated, and applied over time. That difference places a particular responsibility on how research is designed and presented. 

In environments saturated with quickly produced or surface-level content, clarity becomes part of credibility. Not because scholarship needs to compete in attention-economy terms, but because readers increasingly rely on structural signals to distinguish sustained argument from noise. 

This is where the foundational principles discussed throughout this series become especially important. Consistent structure, meaningful hierarchy, accessible formatting, and purposeful visuals help distinguish scholarship as a form of communication built for comprehension rather than consumption. 

Conclusion 

The posts in this series point toward a shared idea that runs through communication design research: effective scholarly communication works as an integrated system rather than a collection of independent parts.  

We hope this series offers a useful framework for treating design as an essential part of scholarly communication. Thoughtful design makes ideas easier to read, navigate, and evaluate, strengthening how research reaches and serves its audience. 


References 

Barness, Jessica, and Amy Papaelias. 2019. “Editorial Form and Function: A Study of the Design of Academic Journals.” Sciences du Design 10 (2): 90–96. https://doi.org/10.3917/sdd.010.0090.  

Larson, Kevin, Cheng, Karen, Chen, Yeechi and Marco Rolandi. 2017. “Proving the Value of Visual Design in Scientific Communication.” Information Design Journal 23 (1): 80–95. https://doi.org/10.1075/idj.23.1.09che. 

Schriver, Karen. 2013. “What Do Technical Communicators Need to Know About Information Design?” In Solving Problems in Technical Communication, edited by Johndan Johnson-Eilola and Stuart A. Selber. University of Chicago Press. https://www.karenschriverassociates.com/wp-content/uploads/2020/03/6-Schriver-What-Do-Technical-Communicators-Need-to-Know-Information-Design.pdf.    


About the Authors 

Sophia Sta. Rosa works as a publishing intern at the Center for Engaged Learning. An undergraduate student majoring in both Strategic Communications and Professional Writing & Rhetoric, she has a passion for reading and engaging critically with media and hopes to enter the publishing industry as a book editor after graduating. Along with her internship at CEL, Sophia is also a Communications Fellow.  

Sophie Grabiec is the Center for Engaged Learning’s Managing Editor, where she oversees the production of CEL’s books, open access resources, and blog. Before joining Elon University she lived and worked in Washington, DC at Georgetown University where she earned her M.A. in English and taught first-year writing.  

How to Cite This Post 

Sta. Rosa, Sophia, and Sophie Grabiec. 2026. “Design Establishes Trust and Credibility.” Center for Engaged Learning (blog), Elon University. July 14, 2026. https://www.centerforengagedlearning.org/design-establishes-trust-and-credibility.